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Friday, April 20, 2018

Free Download Written Text Becomes Living Word: The Vision and Practice of Sunday Preaching, by Stephen Vincent DeLeers

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Review

From documents to process, from routine to reflection, the book offers a wide variety of help in the craft of creating homilies, as well as 10 suggestions to help the preacher be a better homilist—no matter how good he already is. He specifically encourages us to call upon five characteristics—personal, liturgical, inculturated, clarifying and actualizing—for a homily.CruxSeminarians, Catholic clergy, and those charged with liturgical preaching in Catholic communities of faith will find helpful guidance in preparing homilies preached in the context festivals and ‘occasional services’ as well as the Lord’s Day Eucharist.Catholic Books ReviewSteven Vincent DeLeers clearly understands the challenges facing Catholic preaching some forty years after the Second Vatican Council.Catholic Books ReviewOffers preachers a book that is personal, inculturated, clear, and, one that will activate the reader to prepare sermons that are, indeed the ‘living Word of God.’Pastoral MusicThis book should be in the library of every preacher.Catholic Library WorldDeLeers' guidance through over thirty years of church documents leads preachers to a renewed awareness of the dignity and importance of the Sunday homily. The vision found here leads to a practical approach to preaching, holding up a profile of the homily as personal, liturgical, clear, inculturated, and actualizing. This study is informative and transformative for both those with preaching experience and those beginning to preach, for Catholics, Protestants, and all other traditions that preach the word of God. Add this book to your preacher's library.James A. Wallace, CSsR, professor of Homiletics at Washington Theological Union, Washington, D.C. Author of Preaching to the Hungers of the Heart (Liturgical Press, 2002)With a great deal of keenness Stephen DeLeers has cut through the often dense thicket of forty years of Catholic magisterial pronouncements to describe the Church's developing theology of Sunday preaching. I find this work both theologically challenging, professionally fascinating and immensely practical. For that reason I wholeheartedly recommend the work for novices and veterans alike.Bishop Richard J. Sklba A mosaic window of insights, understanding, and helpful practices, whether for the preacher who stands inside the homiletic moment or for the believer who sits in the pew with eyes and ears of faith.Joseph J. Juknialis, Homiletic faculty, Saint Francis Seminary, Milwaukee, WI

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From the Inside Flap

Effective, significant preaching requires a vision and a pondering of the question, ?How can I do what the Church expects of me?? The homily offers preachers a chance to live this question. Drawing from official Roman Catholic documents (1963?1995), Written Text Becomes Living Word summarizes this vision for the homily as having five characteristics: personal, liturgical, inculturating, clarifying, and actualizing. DeLeers integrates and develops homiletic practice into this vision by a detailed process for effective preparation and preaching. Written from the author?s work with preachers, Written Text Becomes Living Word will re-inspire the homiletic vision as well as the spiritual life of those preaching. Chapters are: ?Repairing the ?Accidents of History?: Roman Catholic Restoration and Embrace of the Sunday Homily,? ?The Evolution of the ?Restored? Homily, 1963-93,? ?A Roman Catholic Contribution to the Vision of Sunday Preaching,? ?The Homily as Personal Word: Responsibility, Faith, and Love,? ?The Homily as Liturgical Word: The Assembly and Its Sacred Ritual,? ?The Homily as Inculturated Word: Correlating Experience and Tradition,? ?The Homily as Clarifying Word: One Good Point, Clearly Made,? ?The Homily as Actualizing Word: Written Text Becomes Living Word,? ?Arriving at the Sunday Message: Three Necessary Encounters with the Word,? ?From Message to Homily: Content, Structure, and Delivery,? ?Ten Suggestions for Becoming a Better Preacher,? and an Appendix: Roman Catholic Documents on the Homily. Also includes an Index.?From documents to process, from routine to reflection, the book offers a wide variety of help in the craft of creating homilies, as well as 10 suggestions to help the preacher be a better homilist?no matter how good he already is. He specifically encourages us to call upon five characteristics?personal, liturgical, inculturated, clarifying and actualizing?for a homily.? Crux?Steven Vincent DeLeers clearly understands the challenges facing Catholic preaching some forty years after the Second Vatican Council.? Catholic Books Review?Seminarians, Catholic clergy, and those charged with liturgical preaching in Catholic communities of faith will find helpful guidance in preparing homilies preached in the context festivals and ?occasional services? as well as the Lord?s Day Eucharist.? Catholic Books Review?Offers preachers a book that is personal, inculturated, clear, and, one that will activate the reader to prepare sermons that are, indeed the ?living Word of God.?? Pastoral Music?This book should be in the library of every preacher.? Catholic Library World?The book is well researched, insightful in its approach, and easily read. Though it is specifically meant for preachers, anyone involved in liturgical ministry or interested in developing a liturgical spirituality will find it very helpful.? The Bible Today?Stephen Vincent DeLeers is the international sleuth nonpareil when it comes to piecing together a Roman Catholic vision of homiletic preaching from over seventy-five magisterial documents since Vatican Council II. He spells out an acronym of five recurring characteristics?the homily as Personal, Liturgical, Inculturated, Clarifying, and Actualizing (PLICA)?and expands each characteristic in practical terms for preaching preparation and delivery. The founder of BetterPreaching.org has captured for preachers, liturgists, and church historians an integrated Catholic vision of the practice of Sunday preaching.? Gregory Heille, O.P. Director, Doctor of Ministry in Preaching Aquinas Institute of Theology St. Louis, Missouri"This book will prove to be a worthy resource for those wishing to understand, claim, or reclaim the heritage of preaching in the Catholic Church. It provides a sound, helpful framework for the contemporary practice of preaching while remaining rooted in scripture and tradition." Dr. Richard Stern Associate Professor of Homiletics Saint Meinrad School of Theology?DeLeers? guidance through over thirty years of church documents leads preachers to a renewed awareness of the dignity and importance of the Sunday homily. The vision found here leads to a practical approach to preaching, holding up a profile of the homily as personal, liturgical, clear, inculturated, and actualizing. This study is informative and transformative for both those with preaching experience and those beginning to preach, for Catholics, Protestants, and all other traditions that preach the word of God. Add this book to your preacher?s library.? James A. Wallace, C.Ss.R. Professor of Homiletics Washington Theological Union Washington, D.C. Author of Preaching to the Hungers of the Heart (Liturgical Press, 2002)?With a great deal of keenness Stephen DeLeers has cut through the often dense thicket of forty years of Catholic magisterial pronouncements to describe the Church's developing theology of Sunday preaching. I find this work both theologically challenging, professionally fascinating and immensely practical. For that reason I wholeheartedly recommend the work for novices and veterans alike.? Bishop Richard J. Sklba ?A mosaic window of insights, understanding, and helpful practices, whether for the preacher who stands inside the homiletic moment or for the believer who sits in the pew with eyes and ears of faith.? Joseph J. Juknialis Homiletic faculty Saint Francis Seminary Milwaukee, WI ?Not only does Stephen Vincent DeLeers provide sound and helpful counsel for the building of good homilies, he also passionately and effectively communicates the urgency of preaching a living Word for God's people.? Thomas G. Long Bandy Professor of Preaching Candler School of Theology Emory University Atlanta, GA

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Product details

Paperback: 216 pages

Publisher: Liturgical Press (August 1, 2004)

Language: English

ISBN-10: 0814627595

ISBN-13: 978-0814627594

Product Dimensions:

6 x 0.8 x 8.8 inches

Shipping Weight: 12 ounces (View shipping rates and policies)

Average Customer Review:

5.0 out of 5 stars

1 customer review

Amazon Best Sellers Rank:

#560,962 in Books (See Top 100 in Books)

Very helpful for students.

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Saturday, March 31, 2018

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Product details

Spiral-bound: 704 pages

Publisher: Rmc Pubns Inc; 8 edition (June 1, 2013)

Language: English

ISBN-10: 1932735674

ISBN-13: 978-1932735673

Product Dimensions:

4 x 1.5 x 6.2 inches

Shipping Weight: 13.6 ounces

Average Customer Review:

4.2 out of 5 stars

64 customer reviews

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I have always learned best by using flash cards so I found this very useful. I ended up tearing the cards from the spiral binding and cutting the loose ends so I could use them as actual flash cards. That also enabled me to separate the cards I knew very easily from the more challenging ones. Some people complain that the paper is thin compared to actual flashcards, which is why I gave it 4 stars. But I guess its better than costing more $$$.

Rita's flashcards don't skimp - 704 pages (352 cards). They are organized like Rita's book; by knowledge area. They are compact enough to carry around and review during meals, downtime or while traveling. Just put a rubber band over the flashcards to keep them together. I even took these on vacation. You can brush up in as little or much time as you'd like. I used cut up sticky notes to mark the cards I was unsure of and then would review those topics in Rita's book. I knew I was ready to sit for the exam after I thinned out the sticky notes. The flashcards really allowed me to sneak in study time when finding time was sometimes a struggle. Although not included in the flashcards, I would highly recommend playing the process game in Rita's book. It's well worth cutting out the squares in Chapter 3 and practicing; especially the order of the planning process group.

The prep book is great but this "flash card" product is not. It's a mini flip chart with questions that often have lengthy answers. Very hard to read font, flimsy paper, poor quality. Not what you expect from flash cards. I did not find this product useful and barely used it. Just read the book thoroughly, that was sufficient. Passed exam on first try, book was excellent.

Do not expect to be a complete book quality, with a lot of information. It is a Flashcards books. It has the quality necessary for it purpose and it is only effective if you use it to memorize key aspects about PMP exam, after reading the PMBOK and also the book for PMP by the same author.I used only these 3 books and I passed on the first try.

Top quality information hindered by poor quality of publication substrate. Ultra difficult to read font.

I've been studying for the exam now for almost six months and this might just be the material to get me over the hump. It is filled with good explanations of various terms, and covers all the knowledge areas and process groups. A good source to take with you on short or long trips to continue studying for the exam.

I passed the exam the first time with using Rita's products and this was one of them. I recommend reading her book first and then use these to help see how much you know the material. The only reason I didn't rate all 5 stars is I wish these were multiple choice questions, otherwise still a great product and helped me pass the exam.

I did not like them. It was like trying to read through random, fragmented factoids. A more targeted approach would be to make your own flash cards based upon Appendix A of the PMBOK.

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Thursday, March 15, 2018

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Product details

Paperback: 63 pages

Publisher: CreateSpace Independent Publishing Platform (September 4, 2016)

Language: English

ISBN-10: 1537489682

ISBN-13: 978-1537489681

Product Dimensions:

6 x 0.2 x 9 inches

Shipping Weight: 5.3 ounces (View shipping rates and policies)

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Product details

Paperback: 91 pages

Publisher: Independently published (October 1, 2018)

Language: English

ISBN-10: 1724198831

ISBN-13: 978-1724198839

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8.5 x 0.2 x 11 inches

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About the Author

Marshall W. Mason was the founding artistic director for New York's legendary Circle Repertory Company, which The New York Times identified as "the chief source for new American plays." His twelve Broadway productions including Burn This, The Fifth of July, Talley's Folly, As Is, and Knock Knock have earned him five Tony nominations for Best Director. He's won six Obies for his work, and in 1999 he received a Mr. Abbott Special Millennium Award that named him "one of the most innovative and influential directors of the twentieth century."

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Product details

Paperback: 272 pages

Publisher: Heinemann Drama (November 22, 2006)

Language: English

ISBN-10: 9780325009193

ISBN-13: 978-0325009193

ASIN: 0325009198

Product Dimensions:

6 x 0.6 x 9 inches

Shipping Weight: 13.6 ounces (View shipping rates and policies)

Average Customer Review:

4.5 out of 5 stars

9 customer reviews

Amazon Best Sellers Rank:

#1,045,708 in Books (See Top 100 in Books)

Without doubt the most important book on directing since Harold Clurman's seminal On Directing, I found Marshall Mason's Creating Life on Stage both moving and inspiring. When this book was released earlier this year, I was preparing to direct a production of Wilder's "The Matchmaker". I found Mason's insights into the most critical aspect of directing: how to coax the most inspired performance out of an actor truly illuminating.How do we create the most fertile ground for truthful living on stage? In an almost simplistic, highly organized methodology, Marshall Mason lays out a set of tools for us to use. Mason manages to present this material so simply and lucidly, that almost anyone who picks up this book, interested amateur or Broadway veteran will profit from its contents. This is very difficult material to articulate, but he manages to relate concepts of character, behavior, even consciousness and spirituality in a way that is practical and executable on stage.Highly useful for both actors and directors of all levels, it truly is "...utterly invaluable".

A comprehensive and practical book made even better because of the history and experience of its writer. Marshall W. Mason is one of the great directors of the American Theatre and he uses this knowledge to the reader's advantage. The book arrived in good time. Glad to have it.

Great read and methods

I was disappointed in this book, found it hard to read and didactic. I would loved to have heard moreteaching anecdotes/ examples/ real life scenarios.

Marshall Mason is one of the theater's greatest directors. It is an honor to read so many insights from such a gifted artist.

There is no doubt that Marshall Mason is one of the great directors of the past half century. With his new book Creating Life On Stage, he has shown himself to be one of the great teachers of directing as well.Not all great directors make great teachers. And not all great teachers make great directors. I'm too young to have seen Harold Clurman's work, but there seems to be a consensus that his productions did not always meet the standards of his wonderful, seminal book On Directing.Mason's book, written in a clear, often chatty voice, undertakes to describe a system for directors--akin to Stanislavski's for actors--that can reliably clear the way for inspiration and creativity. Mason draws on both his own vast experience and the groundwork set down by other major figures, ranging from Elia Kazan and Sanford Meisner to Anne Bogart.The result is a rich blend of the traditional and the adventurous, drawing on the best of each. He describes how to make effective use of improvisation to stimulate the depths of actors' creativity (explore the history of the play, but don't demand a predetermined conclusion...); as well as innovative techniques such as the baby exercise for lovers (check it out--you'll love it).Nor does he neglect the basics, and even they can have a fresh feel to them. Look for advice on how breaking down a script and constructing a rehearsal schedule can be conduits for inspiration. Even volume notes and tech can make a good story. After shouting several times from the back of the theater "I can't hear you!" during a dress rehearsal an actor shouted back in frustration "F*** you!" To which Mason immediately replied, "THAT I heard!"Most of the book, however, is devoted to creating a rehearsal dynamic that invites the maximum creativity and enthusiasm from designers and actors alike. "We'll try to be something of a family here," he tells his cast, "but our family will be based on mutual respect." He goes on to add, "if we, the artists cannot communicate with each other, how can we hope to communicate with an audience?"Creating Life On Stage is an important and welcome book to any director's library. None that I have seen offers the kind of advice for talking to designers that Mason gives, both practical and rich. It is telling that he calls this section not "working with designers" or "dealing with designers" but rather "stimulating designers." The same holds true for working with playwrights--and if there's one thing Marshall Mason knows, it's how to sustain a successful relationship with a playwright. His fifty-year collaboration with Lanford Wilson is proof enough of that.There are a few times where he seems a bit caught up in the virtues of his approach--telling us in one instance that he thought his production of Private Lives was "much funnier (and more honest) than the acclaimed Broadway production the same year." But this is hardly a flaw--his goal is to help directors create work they can be justifiably proud of.The approach to directing he describes, from choosing a play to "Enduring Opening Night" may just be one man's opinion. But any director would do well to consider his techniques. Perhaps the highest compliment I can pay it is this: I'll be using it.

This book provides complete instructions on how to be an excellent director, from choosing the project to opening night and beyond. Theatergoers with an interest in how a play gets from a script to the performance they see should find the book fascinating. Mr. Mason writes in a gentle, intensely serious, sometimes wry style that is a pleasure to read. Young directors would surely benefit from Mr. Mason's 40-some years of experience in the theater. Actors should find it very interesting to know what a director does before first rehearsal (and it is a lot), and to read in print a description of the sort of direction they know in their hearts they deserve. Mr. Mason touches frequently and perceptively on Stanislavski and has an appendix on Sandy Meisner's teachings (and other illuminating appendices). If you know a young person considering a theater career, this book would be a very useful and supportive gift.

One might think that directing plays was an arcane art for certain geniuses, but as the great Alvina Krause would agree, directing plays is about LIFE and it IS life and therefore this advice about organizing work, interacting with others, managing one's own drive is good advice for anyone. I would particularly recommend it for writers. And especially people who write about the theatre. This is a clear book, not as simple as might seem on first reading, and a joy to read.Mary Scriver

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Friday, February 23, 2018

Ebook Download M7 Priest (Images of War)

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M7 Priest (Images of War)


M7 Priest (Images of War)


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About the Author

An avid military vehicle enthusiast whose collection includes 10 Vietnam-era vehicles, it not surprising that most of his 100+ published books focus on US military vehicles. In June 2015, he was presented the coveted Bart Vanderveen Award by the Military Vehicle Preservation Association, given in recognition of "…the individual who has contributed the most to the historic preservation of military vehicles worldwide." Some of David Doyle's published works are - Panzerkampfwagen IV: The Backbone of Germany’s WWII Tank Forces; U.S. Half-Track Vehicles In Action; M151 Mutt In Action; The Complete DUKW Historical Reference; P-47 Thunderbolt In Action; B-17F Flying Fortress A Visual History of the B-17F Flying Fortress in WWII; USS Iowa (BB-61): The Story of "The Big Stick" from 1940 to the Present.

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Product details

Series: Images of War

Paperback: 144 pages

Publisher: Pen and Sword Military (December 1, 2018)

Language: English

ISBN-10: 1526738856

ISBN-13: 978-1526738851

Product Dimensions:

7.5 x 0.5 x 9.5 inches

Shipping Weight: 1.1 pounds (View shipping rates and policies)

Average Customer Review:

3.0 out of 5 stars

1 customer review

Amazon Best Sellers Rank:

#429,946 in Books (See Top 100 in Books)

Mostly well known photos. I was especially hoping to see more images of the M7s used by the USMC on Okinawa. No such luck.

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Sunday, February 11, 2018

Free PDF Ready or Not

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Audible Audiobook

Listening Length: 10 hours and 49 minutes

Program Type: Audiobook

Version: Unabridged

Publisher: Audible Studios

Audible.com Release Date: December 22, 2015

Whispersync for Voice: Ready

Language: English, English

ASIN: B017JE5Z7C

Amazon Best Sellers Rank:

It was awesome to be able to follow this fantastic group of friends again. To get back to be witness of the midnight chocolate gatherings, of the quirky banter and the dynamic between these friends. In this sequel, Mallory is the main character. Hope crossed her path, a hot bartender. A woman from a crappy background but determined to become successful in her business. She is strong, tough but also a softie with a golden heart. Mallory and Hope, two completely different women, two very strong personalities that are hugely be drawn towards each other. You can continue to deny it but the passion was inevitable. There were still several bumps along the way to a possible HEA but giving up was not an option. I loved Hope, she (and Hunter) is my absolute favorite. I will miss these great group of friends badly. Needless to say I've enjoyed this book tremendously and I know for sure that you won't be sorry if you read the whole series. It is a heartwarming romance with a load of humor.

I probably could have combined my reviews for Just Three Words and Ready or Not since I read them as if they were one, large novel. In fact, I re-read Kiss The Girl first to remind myself of the story and characters. So, it would be easy to review all of them at once. But that wouldn’t be fair. Brayden didn’t write them all at once, so each deserves a separate review. Plus, it’s very possible you folks out there haven’t read all three yet or, perhaps, are reading them out of order. Because, while they definitely have a linear timeline, I don’t think it’s fully necessary to read them as if they serve as a proper trilogy. You can still find enjoyment from Ready or Not if you haven’t quite gotten around to Kiss The Girl yet. (Though, I do recommend reading them in order…just because I’m sort of OCD when it comes to that.)Most of my thoughts on Ready or Not mirror those I had regarding the first two books in the series. Brayden did an exceptional job of keeping the characters consistent through each novel. It’s a bit annoying when there are fundamental changes to a character in subsequent books. Character development is one thing, but altering who a character is makes for uneven reading. (This is an issue I had with the narrator for the audio versions of these three books – the unevenness in the performance with each book. But that’s another story for another day and does not have anything to do with Brayden’s writing. The audio books were still very enjoyable.)As with the previous two novels, Brayden has excelled in offering the reader some excellent dialogue. It keeps the story moving and keeps things interesting. The characters have conversations with each other rather than take turns monologuing. When a character does have the need to share more than just a few crisp sentences, it stands out. It’s important. It means something. It makes everyone – characters and readers alike – sit up and take notice. I think that’s a pretty powerful technique. Whether it’s intentional or not, I don’t know. But it’s effective.Brayden sticks with many of the same settings – the Savvy offices, the loft apartments, and Showplace (their favorite bar). Only this time, we get to spend more time in places that were a bit more peripheral in the previous two books. Showplace, for example, plays a much larger role in Ready or Not. We get to learn more about the bar, its history, and the people who inhabit that particular part of the world. Previously, it was simply their favorite place to hang out and relax. Now, it’s integral to the story. The same can be said for Mallory’s loft apartment. In the first two novels, it was there and part of the story…but it wasn’t central. So what we have after reading all three of the books is a fully fleshed out setting that includes all of the spaces that are important to the cast of characters. It’s complete.Quite often, I’ve noticed that readers will ask, “Have you ever thought of making this into a movie? Because that would be awesome!” And, you know what? I agree. That would be awesome. So many novels out there in “Lesbian Literature Land” would make lovely movies. Brayden’s novels among them. But what really intrigues me about the Soho Loft series is that they would be awesome stage plays. Think about it – the cast of characters is fairly minimal, the locations are pretty consistent (Savvy offices, loft apartments, the bar where they gather), and the dialogue is fast-paced and vivid. With the right script, the right actors, and a kick-ass design team, these stories really could work on the stage. I’d go see them.The one drawback to reading all three stories one right after another (and listening to the audio versions) is picking up on little idiosyncrasies that would probably have been missed reading them months apart. Certain words and/or phrases that are used (one or two are over-used) often tend to stand out and be noticed, thereby pulling the reader out of the story for the briefest of moments. I didn’t find it overly problematic and most certainly does not diminish my enjoyment of the stories. I still think they are just wonderful. But, it is something I noticed.All-in-all, I’d say that Ready or Not is a very fine addition to the Soho Loft series…and a fitting wrap up to the individual and collective stories of these four friends. Knowing Brayden, this won’t be the last time we hear from these women – I have no doubt they will make cameo appearances in future novels. And I look forward to that.

This was my favorite of the trio of books in the series. Seemed more developed somehow than the previous 2, tho I enjoyed them also. The thing with Sophie was a little awkward, didn't fit in smoothly I didn't feel (no spoilers here). And while the banter was fun and I mostly liked it, it felt like a little too much at times--not everybody in life has snappy comebacks or wants to. I'd like to see the banter mostly done by a few of the characters, not all of them. Really like the way the bond between the 4 Savvy women is portrayed--enviable friendships, sweet. Love the midnight chocolate solution to all big problems!!

The final chapter in this series of heart bonded friends was a gold medal winner. I liked it that the stories of all the friends ended with the tale of true love of the leader of the pack. I also liked that all of them found true love and they still remained so important to each other. We should all be so lucky!

The banter is still holding strong and the group and the 2 main characters. Finished this one in a couple days. I'm not sure it's my favorite of the series but only because the main character Mallory never came across as arrogant in the other books. While this helped the development of the relationship or maybe just drew out the development of the primary relationship of the book; I didn't like seeing her in that light. She ended up showing those weren't her true colors. It's a great book with chemistry and great character development. I love it! I also love how the other characters continue to develop through this book as well.

I like this author. This was the second novel in this series and I like all of the friends. I wish we got to hear more about each one individually in each book instead of just focusing on one of the four friends in each book. Their friendship is very important and is what drew me into the book. One thing in the book that I didn't like was the author said "Smooth Operator" by Sade was a cheesy song from the 80's. Anyone that knows anything about music knows that Sade is a legend and there is nothing cheesy about her. But, outside of music tastes from the author. The book is solid.

I loved this series! This third book continues the fun of the Savvy girl friends. This time Mallory, who loves to be in charge, is the story's focus. She is so taken by Hope, the hot bartender, who appears to be so different than Mallory. Oh and Hope is taken by Mallory too! The dialog is witty and the chemistry is simply amazing. If you haven't already read the first two books, I would recommend reading them before this one (in order). It is not necessary, but helps you understand each of the four friends and their quirky, unique personalities. They really, really work so well together and support each other unconditionally. You will love them all!

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